Review: As You Wish - Inconceivable Tales from the making of The Princess Bride by Cary Elwes

From actor Cary Elwes, who played the iconic role of Westley in The Princess Bride, comes a first-person account and behind-the-scenes look at the making of the cult classic film filled with never-before-told stories, exclusive photographs, and interviews with costars Robin Wright, Wallace Shawn, Billy Crystal, Christopher Guest, and Mandy Patinkin, as well as author and screenwriter William Goldman, producer Norman Lear, and director Rob Reiner.
The Princess Bride has been a family favorite for close to three decades. Ranked by the American Film Institute as one of the top 100 Greatest Love Stories and by the Writers Guild of America as one of the top 100 screenplays of all time, The Princess Bride will continue to resonate with audiences for years to come.
Cary Elwes was inspired to share his memories and give fans an unprecedented look into the creation of the film while participating in the twenty-fifth anniversary cast reunion. In As You Wish he has created an enchanting experience; in addition to never-before seen photos and interviews with his fellow cast mates, there are plenty of set secrets, backstage stories, and answers to lingering questions about off-screen romances that have plagued fans for years!
With a foreword by Rob Reiner and a limited edition original poster by acclaimed artist Shepard Fairey, As You Wish is a must-have for all fans of this beloved film.

I am a rather huge fan of The Princess Bride. I’ve been watching it ever since I was seven and my sister brought home a copy of it on video and I watched it on repeat. It has everything, it is a classic, it is utter genius and pure brilliance and if you haven’t seen this film or read the book, you need to remedy this immediately. As brilliant as the book is, I highly recommend watching the film first.

So when it was announced about a year ago that Cary Elwes would be releasing a behind the scenes making of book extravaganza, I was one of the people whose shrieks of joy could be heard the world over.

The book is beautiful, lovingly created with some gorgeous photographs and a wonderful piece of art hidden inside the dust-jacket. The whole thing reflects the film itself, it’s a labour of love with everyone involved coming together to provide stories, musings and recollections about the process and filming of The Princess Bride. It’s like putting on a favourite sweater and slippers and drinking a hot mug of tea – warm and comforting, familiar and wonderful. I laughed, I got a little teary eyed, and the whole thing was a magical experience, a beautiful way to go back and revisit the film and to hear from the team that brought it to us so many little tales from behind the scenes that helped make it even more brilliant.

The audiobook is also fantastic, read by Elwes himself with the other cast lending a supporting role for their own tales. It’s a labour of love for the people who love the film, by the people who loved bringing it to life.

My only complaint is that the writing does have a tendency to go round in circles and make the same point twice – it could have done with some tightening up and a bit of editing in places. On the whole though, this is a beautiful book, lovingly written and created, and one that adds another piece of magic to an already magical tale.

Review: Bonfire Night (A Lady Julia Grey Novella) by Deanna Raybourn

It's the autumn of 1890, and almost a year has passed since—much to their surprise—Lady Julia and Nicholas became parents. Just as the couple begins to adapt, a solicitor arrives with a strange bequest. Nicholas, it seems, has inherited a country house—but only if he and his family are in residence from All Hallows' Eve through Bonfire Night.
Neither Lady Julia nor Nicholas is likely to be put off by local legends of ghosts and witches, and the eerie noises and strange lights that flit from room to room simply intrigue them. Until a new lady's maid disappears, igniting a caper that will have explosive results…

I adore the Lady Julia mysteries in a way that defies attempting to explain it like a rational human being. Let’s just leave it at this: they are wonderful books and if you haven’t read them yet then you need to, because Raybourn is one of the best writers I have had the pleasure of reading. This series of books found me quite by chance when I had finished reading Gail Carriger’s Parasol Protectorate Series and wanted something similar. Amazon, in its infinite wisdom suggested I read these, and I have never looked back.

They are brilliantly constructed mysteries with a wonderful heroine at their heart, a broodingly acerbic hero and a cast of excellent characters that make these such a pleasure to come back to. With all that in mind, when the news came out that Deanna Raybourn was parting from her publishers and the chances of another Lady Julia novel had just dropped to virtually non-existant, I was devastated. I love these books and I had hoped to get just one more book to tie up some more ends that had been left. Instead we got the novellas, and whilst I was initially hesitant, Raybourn has done a truly spectacular job of not only telling more of Julia’s story through the four novellas, but also weaving in elements of it into her three novels set in the twenties. Between them we’ve been given a very good idea of where Julia was heading and what happened to her after the events of ‘The Dark Enquiry’.

So with everything built up to a head with the Vespiary in the last novella as well as ‘Night of a Thousand Stars’ I was expecting more of a conclusion where we see the start of that, of how Julia and Brisbane become involved and set it up and the beginning of their parenthood with baby Jack. We definitely got baby Jack and parenthood but there wasn’t a whisper of the Vespiary anywhere, which was quite disappointing.

The novella was a beautifully written little side story, one that I could have quite happily read much more of, but as a final instalment for such a wonderful series? It really didn’t even come close. There was no real closure to speak of, it just felt like another one of Julia and Brisbane’s mysteries – something I am always happy to read – but it didn’t feel like the end of the series.

Part of me now lives in hope that one day we will get another book or novella, something to give us the closure needed on all of these threads (or some mention or cameo in another series just to tie everything up) but I have a horrible feeling that that may not happen. So my rating is not on the novella as a series end, but on the novella as a story (which is wonderful) instead.

Now let's just hope that the publishers decide to honour this series by creating a paperback with all four novellas in, so that all readers can enjoy them, not just those with e-readers.

Review: Once Upon a Tower by Eloisa James

Once upon a time…
A duke fell in love 
Gowan Stoughton of Craigievar, Duke of Kinross, values order and self-control above all else. So when he meets a lady as serene as she is beautiful, he promptly asks for her hand in marriage.
With a lady 
Edie—whose passionate temperament is the opposite of serene—had such a high fever at her own debut ball that she didn’t notice anyone, not even the notoriously elusive Duke of Kinross. When her father accepts his offer… she panics.
And when their marriage night isn’t all it could be, she pretends.
In a tower. 
But Edie’s inability to hide her feelings makes pretending impossible, and when their marriage implodes, she retreats to a tower—locking Gowan out.
Now Gowan faces his greatest challenge. Neither commands nor reason work with his spirited young bride. How can he convince her to give him the keys to the tower…
When she already has the keys to his heart?

First complaint is a side note unrelated to the novel per-se. Why can’t publishers double check things like the names of their hero on the blurb of a book before okaying it? It was incredibly confusing and frustrating to go into the novel expecting the hero to be called Rhys and then wonder why he hasn’t shown up and this guy Gowan is there instead. Petty, but frustrating.

Right, the book.

I love Eloisa James’ novels. They are witty, clever, and full of fantastic heroes and heroines just waiting to pull you into a slightly more romantic world. Whilst nothing will beat the ‘Desperate Duchesses’ series for me personally, James’ retelling of fairytales as regency romances has been inspired. I adored Cinderella (A Kiss at Midnight) and Beauty & the Beast (When Beauty Tamed the Beast) but there was something about this version of Rapunzel that just didn’t quite do it for me.

I read romance novels for escape when life becomes particularly problematic. I like to know that there is a safe formula that will ensure a happy ending (with a few bumps along the way) and a wonderful hero waiting to sweep the feisty and intelligent heroine off her feet before the last page.

So when I’m faced with a truly unlikeable hero it kinda puts a crimp in my plans. Gowan really frustrated me. I understand that he was meant to grow as a person and develop and change, but given the awful things that he says to Edie, he never did enough grovelling to really creep back into my good graces. He decides to follow a regimented plan for their marriage bed and as a result doesn’t communicate or even really acknowledge Edie. Edie meanwhile is in so much pain from his ministrations that she lies woodenly in bed and tries desperately not to whimper and let him get on with it. Not exactly romantic.

Now I love that James decided to go with a new version of the story, I love that she tackled problems that you don’t normally see in romantic fiction – that the hero is too well endowed and that the heroine finds copulation not only not pleasant, but downright painful. This is excellent that it’s being explored in fiction. I learnt an awful lot about relationships and sex through romance novels, and this is something that I haven’t seen tackled before, so I want to stand up and cheer for the fact that James is tackling it head on. My issue lies with Gowan being so awful to Edie (to everyone actually) and yes he has an epiphany, and yes he apologises, but for me the reader who has just been through all this awful terrible nightmare along with Edie it is not enough. He wrecks her emotionally. And sorry is not enough to repair that damage. When he returns to her she is a shell of her former self and yes she puts up a small amount of resistance and yes he is repentant, but thirty odd pages is not enough to convince me that this abusive relationship has been repaired. It was not intentionally abusive, but the effect is still the same. There needed to be more redemption, a longer road to recovery, not a quick fix, and that let down the entire novel for me.

I imagine most people will read this book and enjoy it as they would any other of James’ novels, but for those people who have either experienced or witnessed abusive relationships, Gowan is not going to be a hero you end up rooting for.

Review: The Jewel by Amy Ewing

The Jewel means wealth. The Jewel means beauty. The Jewel means royalty. But for girls like Violet, the Jewel means servitude. Not just any kind of servitude. Violet, born and raised in the Marsh, has been trained as a surrogate for the royalty—because in the Jewel the only thing more important than opulence is offspring.
Purchased at the surrogacy auction by the Duchess of the Lake and greeted with a slap to the face, Violet (now known only as #197) quickly learns of the brutal truths that lie beneath the Jewel’s glittering facade: the cruelty, backstabbing, and hidden violence that have become the royal way of life.
Violet must accept the ugly realities of her existence... and try to stay alive. But then a forbidden romance erupts between Violet and a handsome gentleman hired as a companion to the Duchess’s petulant niece. Though his presence makes life in the Jewel a bit brighter, the consequences of their illicit relationship will cost them both more than they bargained for.

This book was intriguing, with a brilliant premise, but unfortunately the execution was lacking and turned the concept into something more problematic.

With such a brilliant and horrifying idea at the heart, it was incredibly frustrating that half way through a love interest was brought in for Violet which then became the focus. The love interest itself was problematic – there was no build up of the relationship, no real relationship to speak of that the reader can see develop. Just a few stolen moments and then suddenly, ‘we’re in love!’ which has been done to death in fiction, particularly at the moment. It then provides a truly ridiculous springboard for a climactic end to the book, another cliff hanger for the sake of trying to keep readers hooked rather than a natural end to the book with a lead into the next one. The romance really slows down the story and takes away from the focus of the story which could be brilliant with a bit of work.

The premise is horrifying, twisted and dark, but also has the opportunity to handle a lot of issues that most books shy away from. It gives an opening to look at agency, consent and a lot of the issues that come with that. Instead it cotton coats those things with a light fluffy romance that ultimately takes away from the main story and everything that it could become.

As with so many books, there is so much potential, and it just isn’t fully realised. Instead making it more marketable with a romance. I really hope that with the following books the romance is pushed to one side and the social system and problematic issues with the Surrogates is addressed. Before the romance comes in the book is fantastic. It’s engrossing and horrifying, but also incredibly compelling with some wonderful characters. The class system and the way the Jewel is made up is fascinating and I loved the expansion of the world as Violet was trotted out and put on show – I wanted more of that!

It’s a light and quick read and shares a lot of similarities with so many other books in the Young Adult market at the moment – The Selction by Keira Cass and Wither by Lauren DeStefano with shades of The Hunger Games creeping in with other elements. You can see the Capitol creeping in once Violet reaches the Jewel and is repackaged and sold.

Definitely an intriguing read, but not without its problems. Fans of the three series mentioned above would probably enjoy most of the elements, but be warned about ridiculous romance subplots and frustrating cliffhangers.

Review: Vowed by Liz de Jager

The Blackhart Code:
Don't let the monsters grind you down
A Blackhart can see the supernatural behind everyday crimes. But some crimes hide even greater evils…
Kit Blackhart must investigate why children are disappearing from a London estate. However, their parents, police and fae allies claim to know nothing. And as yet more children disappear, the pressure mounts. Luckily, or unluckily, government trainee Dante Alexander is helping Kit with the case. Yet just as her feelings towards him begin to thaw, his life falls apart. As Kit struggles to unravel his problems and dangerous secrets, she meets fae Prince Thorn in her dreams – but their relationship is utterly forbidden.
Then Kit digs too deep, and uncovers a mystery that’s been hidden for one thousand years. It’s a secret that could just tear down our world.

I read the first book in this series, ‘Banished’ in March this year when I was stuck in hospital. I happened to have it on my kindle and devoured it in a matter of hours. I loved it. It was fast paced and funny and had such a fantastic plot that twisted and turned and kept me on my toes the entire time. The characters were brilliant and it was bursting with imagination and brilliance. So I was pretty excited to get my hands on the second book and get right back to where we’d left off with Kit and her friends. Only it didn’t quite turn out like that.

Yes there were still the characters I loved, plus a few new ones, and there was still the magic underside to the world we already know, but it didn’t quite have the same sparkle as the first book. The biggest problem was pacing. Whereas the first book keeps you on your toes with an array of pitstops on the ultimate quest as you race to figure out what’s wrong, this installment felt slow and sluggish. At five hundred pages it’s vying against a couple of the Harry Potter’s for sheer volume of story, but there is a distinct lack of meat to keep you interested for those pages.

I know the point is for the reader to experience the frustration along with Kit as she tries to solve the case with little to nothing to go on, but instead it merely prompted me to put the book down every few pages and go and have a break. An interesting story, no matter the length, will have me glued to the book and finished in a few hours, this book took weeks to plough through. The problem was it felt like a filler book. Not enough of a plot to sustain the length of novel before we get to the next book, with presumably a lot more action as it all kicks off. Quiet before the storm books are great when they’re done well, but this one just didn’t quite manage it. I wanted the action to be driven forward, not to watch as Kit ate breakfast, went clubbing and managed to get very little sleep.

Which was just disappointing given how much I loved the first book.

This is still a fantastic series from a brilliant new author, but unfortunately this isn’t as strong as her debut, I’m sure though that with everything being amped up for confrontations in the next book, the next installment will be back on top form and a breathlessly brilliant ride.

Fans of Cassandra Clare, Harry Potter and Laini Taylor should definitely check out the first book ‘Banished’, but maybe hold on for the second one until you can go straight from the quiet slow pace of the second book and race into the third.

Review: The Devil Wears Prada by Lauren Weisberger

THE DEVIL WEARS PRADA gives a rich and hilarious new meaning to complaints about “The Boss from Hell.” Narrated in Andrea’s smart, refreshingly disarming voice, it traces a deep, dark, devilish view of life at the top only hinted at in gossip columns and over Cosmopolitans at the trendiest cocktail parties. From sending the latest, not-yet-in-stores Harry Potter to Miranda’s children in Paris by private jet, to locating an unnamed antique store where Miranda had at some point admired a vintage dresser, to serving lattes to Miranda at precisely the piping hot temperature she prefers, Andrea is sorely tested each and every day—and often late into the night with orders barked over the phone. She puts up with it all by keeping her eyes on the prize: a recommendation from Miranda that will get Andrea a top job at any magazine of her choosing. As things escalate from the merely unacceptable to the downright outrageous, however, Andrea begins to realize that the job a million girls would die for may just kill her. And even if she survives, she has to decide whether or not the job is worth the price of her soul.

I saw the movie before I read the book, and this is one of the few cases where the movie is better than the book. So if you’re thinking about reading this after seeing Anne Hathaway turn from slouchy to glamorous, I’d really save your time.

The movie worked to make the characters likeable, both Andy and Miranda, and for there to be progress, character development, and you know, an actual plot. The book really didn’t bother. Andy remained aloof, sarcastic and whiny throughout the book and it never really felt like she grew as a person, or developed at all over the course of the year. She maybe had slightly better dress sense by the end, but there was no development, she just whinged at everyone, pushed her friends and family away and didn’t really try to integrate or work particularly hard at Runway. Yes her job was demeaning at points and yes Miranda had unrealistic expectations, but Andy never even really tried. She went out of her way to try and be obnoxious and get one over on Miranda the entire time, only for it to backfire and cause her more work as a result. It was painful to read.

Similarly Miranda had a softer redeeming side that we saw in the movie, as opposed to being stone hearted, completely un-relatable and unreasonable throughout the book. The characters were downright unpleasant at points and there was nothing redeemable about them.

It was also incredibly repetitive. The same things, over and over again, with Andy making the same mistakes, the same obnoxious better than this attitude, which meant that nothing ever went right. This was supposed to convey the craziness of the working environment, but actually just backfired and made the book seem incredibly dragging and repetitive.

I was stressed the entire way through. I had to speed read this book, not because I was enjoying it but because it was so stressful to read that it was just easier to get it over with rather than sleep. It’s long, it’s not a particularly great book, and a constant adrenaline hit of stress does not make for great reading. You can’t sustain that level of tension for that length of time successfully with a reader, it just doesn’t work.

Review: A Year in the Merde by Stephen Clarke

Paul West arrives in Paris to start a new job - and finds out what the French are really like.
They do eat a lot of cheese, some of which smells like pigs' droppings. They don't wash their armpits with garlic soap. Going on strike really is the second national participation sport after petanque. And, yes, they do use suppositories.
In his first novel, Stephen Clarke gives a laugh-out-loud account of the pleasures and perils of being a Brit in France. A Year in the Merde tells you how to get served by the grumpiest Parisian waiter; how to make amour - not war; and how not to buy a house in the French countryside.

I’ve read a few other books by Stephen Clarke and really loved them; his writing is eloquent and frequently laugh out loud funny, and he tackles his subjects with both wit and an obvious deep love of the country and culture that he is writing about. It’s just a shame that he didn’t bring any of that to ‘A Year in the Merde.’

When I picked it up I didn’t realise it was a novel, so was expecting more of a travel memoir recounting a lot of the pitfalls of moving to France that people experience. What I got instead was a truly awful main character who is not only feeling displaced by his move to Paris, but is downright rude and obnoxious and makes no effort whatsoever to be anything other than disparaging and condescending throughout his stay.

Truly, other than a few more readable moments this was a disaster from start to finish. The humour was thin on the ground, and the book was instead populated with awful comments about the French culture and the people. Paul is a thoroughly unlikeable character who spends his time sulking, whinging, and taking women out for drinks and not understanding why some alcohol and half a hour of conversation don’t result in immediate sex.

It was demeaning and quite frankly disgusting in places and I’m not quite sure why I kept reading.

The drama was propelled by his caricature pantomime baddy of a boss who is doing all sorts of shady dealings and Paul just sits back and lets it all happen. There is no driving force, it is simply the ramblings of a man who couldn’t be arsed to do anything with his job in a new country.

It only vaguely tackled a few of the difficulties that people find when moving to France for the first time, and that wasn’t really enough to redeem it. It certainly doesn’t tackle the perils of being a Brit living in France. If you’re looking for an interesting insight into living in Paris, I recommend ‘Paris in Love’ by Eloisa James. I would also recommend some of Stephen Clarke’s other books, but steer as far away as possible from this pile of merde.

Review: Heir of Fire by Sarah J Maas

Huge thanks to Netgalley for providing me with a copy in exchange for an honest review

This review is spoiler free!

Published: 11^th September 2014

Lost and broken, Celaena Sardothien’s only thought is to avenge the savage death of her dearest friend: as the King of Adarlan’s Assassin, she is bound to serve this tyrant, but he will pay for what he did. Any hope Celaena has of destroying the king lies in answers to be found in Wendlyn. Sacrificing his future, Chaol, the Captain of the King’s Guard, has sent Celaena there to protect her, but her darkest demons lay in that same place. If she can overcome them, she will be Adarlan’s biggest threat – and his own toughest enemy. 
While Celaena learns of her true destiny, and the eyes of Erilea are on Wendlyn, a brutal and beastly force is preparing to take to the skies. Will Celaena find the strength not only to win her own battles, but to fight a war that could pit her loyalties to her own people against those she has grown to love?

When I got my hands on an early copy of ‘Heir of Fire’ I couldn’t wait to get started. It was just a shame that around five pages in I realized that most of the events of the previous book was nothing but a hazy memory and if I wanted any clue what was happening I needed to go back and start at the beginning.

So I’ve spent and otherwise stressful few weeks happily ensconced in Celaena’s world, reliving her battle to become the King’s Champion, her slow uncovering of the rebels plots, the devastation and loss and the shock of revelations at the end of ‘Crown of Midnight’. It was quite the emotional rollercoaster, and I was expecting that pace to be maintained, thinking that this was the last book in the series. Thankfully I was wrong, and there are plenty of stories waiting for another book to tell them, but it meant that I spent a good portion of the book waiting for the pace to kick up a notch as it would in the final book in a series, and being disappointed.

Once I got around the fact that I was being an idiot and doing myself out of more books (Sarah has stated on her website that she’s always seen the series as a 6 book one.) I settled in and enjoyed the book.

This book was much slower than the first two, Celaena has taken quite the emotional beating by this point and it takes a long, long time for her to try and piece herself back together. There were a few points where her constant misery and self blame became a little bit much, but on the whole it was handled really well and it was so good to watch her try and reconcile all the parts of herself into one flawed whole.

Whilst Celaena is off learning and growing away from Rifthold, we still get peaks back to how everyone left behind is faring. Short answer? Terribly. The events of the last book have shaken everyone and their various relationships beyond repair, so it was a much darker book, no one trusting anyone and everyone feeling lost and isolated. The good part is that the treachery of the King is finally being recognised and more people are figuring out what he’s done, so there is a better chance of managing to right all the wrong’s. But watching everyone stumble around trying to deal with things on their own was truly heart breaking.

We are also introduced to a host of new characters which fleshed out the book and really gave more meat to what was once solely Celaena’s story. Rowan, a fae prince was one of my particular favourites, as was Manon another Ironteeth witch, and oh boy the witches. They were a fantastic addition to the story. I really loved all of Manon’s sections, which tie in beautifully with showing us what the King is planning next and pick up the thread that was introduced in the last book with Baba Yellowlegs. They are incredible, and I am so excited to see where that story takes us in the next book.

A lot of holes and questions that were raised are now being filled in, we’re given a lot of back story, particularly Celaena’s which was great to have. Maas has left it just long enough to really whet our appetites without drawing it so long that we’re frustrated, and she really should be commended for the brilliant pacing of each book, but also the series as a whole.

All in all this latest installment is a fantastic addition to the series. It expands the world, raises the stakes, and sets the bar even higher with a brilliant climax of an ending for the next book. Fans of the series will be thrilled with this book, and those who haven’t yet found the series, go out and get yourself a copy of ‘Throne of Glass’ and get on board.