Thanks to Netgalley and Bloomsbury for sending me a copy in
exchange for an honest review
Penelope
Landlow has grown up with the knowledge that almost anything can be bought or
sold—including body parts. She’s the daughter of one of the three crime
families that control the black market for organ transplants.
Penelope’s surrounded by all the suffocating privilege and protection her family can provide, but they can't protect her from the autoimmune disorder that causes her to bruise so easily.
And in her family's line of work no one can be safe forever.
All Penelope has ever wanted is freedom and independence. But when she’s caught in the crossfire as rival families scramble for prominence, she learns that her wishes come with casualties, that betrayal hurts worse than bruises, that love is a risk worth taking . . . and maybe she’s not as fragile as everyone thinks.
Penelope’s surrounded by all the suffocating privilege and protection her family can provide, but they can't protect her from the autoimmune disorder that causes her to bruise so easily.
And in her family's line of work no one can be safe forever.
All Penelope has ever wanted is freedom and independence. But when she’s caught in the crossfire as rival families scramble for prominence, she learns that her wishes come with casualties, that betrayal hurts worse than bruises, that love is a risk worth taking . . . and maybe she’s not as fragile as everyone thinks.
This blurb
had me incredibly excited and envisaging something close to The Curse Workers
trilogy by Holly Black but with less magic and more body parts, but alas, it
was not to be.
The problems
with this one all came down to pacing and character. In that there wasn’t really
any and it was all over the place. It felt almost as though it were two
different stories. The first one, Penelope Landlow, crushing on a guy, never
allowed to be touched, daughter to the boss of the family. The second one,
Penelope Landlow, girl living in New York, never allowed to be touched but
doesn’t care about it, who is finding her own way in the world and falls in
love. Sadly the two different plots don’t really mesh and what you’re left with
is this incredibly bizarre mix of ideas and frustrations.
Penelope is
an incredibly weak character. She comes across as much younger than she
actually is, whines about how no-one tells her anything and ends up being one
of the most dense characters I’ve come across in fiction. She doesn’t put
anything together until it’s pretty much too late and you’re left feeling
incredibly frustrated and wanting to shake her. In part because the plot twists
are no real twists at all and are in fact incredibly obvious right from the
start.
The characters are all under developed, motives are squiffy at best, and
nothing really makes a whole heap of sense. None of the characters felt real or
particularly likeable, the dialogue was awkward – particularly anything
involving Carter, Penelope and Garret, and decision making felt like it was being
made by pulling random nonsensical ideas out of a hat at points. Penelope’s
decision making skills were that bad.
Then of
course there’s the crime family element, which had me so hooked from the blurb.
Only we don’t really get anything to do with the family. There are some odd
moments of boredom and statistics, and a few menacing guys with guns, but it
didn’t feel real. It didn’t really make any impact on the story, it felt more
as though it was a plot twist thrown in to make the story cool. It felt at
times that Penelope’s illness was used as a get out clause so that everything
could remain underdeveloped and just be a background idea. Penelope is kept
away from the business and never really makes any effort to change that. It
feels like life just happens to her and she expects the men around her to
protect her – an ideal that changes a little as she experiences some character
growth towards the end of the book, but not enough to redeem her.
The romance
was not really a romance at all. It starts as a straightforward boy and girl,
but then of course half way through there has to be a second boy introduced to
make things more complicated. Oh for the love of all that’s good will someone
give me a young adult novel without a love triangle being thrown in?
Romance with the first boy is awkward and cringey at best, with words like marriage being thrown about when they haven’t even kissed. Then second boy comes along and literally stalks her. Repeatedly. Twenty four hours with him though and she’s in love. It was so unbelievably frustrating and aggravating to have such awkward and instalove romances being thrown about.
Romance with the first boy is awkward and cringey at best, with words like marriage being thrown about when they haven’t even kissed. Then second boy comes along and literally stalks her. Repeatedly. Twenty four hours with him though and she’s in love. It was so unbelievably frustrating and aggravating to have such awkward and instalove romances being thrown about.
This could
have been a really fantastic story. Penelope had all the makings of a great
character and combine that with the crime family, being the boss’s daughter,
plus her auto immune disorder and this could have been something amazing.
Instead we’re given a whiney heroine who is perfectly ok to let the men around
her rule her life and wait for them to come and save her, despite the odd
temper tantrum that she isn’t allowed to do anything. She never actually tries
to seize control or act, or in some cases even think and put the pieces together.
She is someone who seems to just let life happen to her. We’re then also given
a brilliant idea of this crime family who deal in organ transplants and it’s
all shoved aside in favour of the awkward romances. I wanted to love this, I
was so excited for it, but instead it ended up being a frustrating story that
didn’t even come close to the potential set up in that blurb.
Ah that's sad to hear. The blurb really got to me too because what other books are there in YA that have mafia/crime families (although I have read a few with gangs)? I was hoping it would be something along the line of The Sopranos or something.
ReplyDeleteWere there any other characters besides Penelope and her love interests? Because they seem highly unimportant :(
Sadly the book focuses completely on Penelope, which is a shame, because if the crime family element had been worked upon and expanded then that might have salvaged the book. The blurb looked fantastic, I was so excited because it's the first with crime families in that I've come across since the Curse Workers. Unfortunately I think the blurb was the best bit :(
DeleteThis is honestly the first time I've read the summary of this one. Oops? But I've heard this one has been super disappointing to a lot of people. (Of course, you've got to be REALLY EFFING INCREDIBLE to live up to The Curse Workers <3) Sorry to hear that you didn't like this one! It sounds like it has all the elements that I don't like, haha. Can't believe that the crime family was such a letdown :(
ReplyDeleteGAH YES! The Curse Workers really did set the bar quite insanely high... The crime family was the biggest draw for me from that blurb, and it was just tossed aside. The one meeting that Penelope does sit in on, she daydreams, gets bored and doesn't focus on ANYTHING. It's like she just enjoys being passive and pretty to look at... Give me a good determined feisty girl any day!
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