Review: Every Word by Ellie Marney

Publication Date: June 1^st 2014
Publisher: Allen & Unwin/Tundra Books
Length: 340 pages

James Mycroft has just left for London to investigate a car accident similar to the one that killed his parents seven years ago...without saying goodbye to Rachel Watts, his 'partner in crime'.
Rachel is furious and worried about his strange behaviour - not that Mycroft's ever exactly normal, but London is the scene of so many of his nightmares. So Rachel jumps on a plane to follow him...and lands straight in a whole storm of trouble.
The theft of a copy of Shakespeare's First Folio, the possible murder of a rare books conservator, and the deaths of Mycroft's parents...Can Watts help Mycroft make sense of the three events - or will she lose him forever?
Sparks fly when Watts and Mycroft reunite in this second sophisticated thriller about the teen sleuthing duo.

Earlier this year I read the first book in this trilogy ‘Every Breath’ and was blown away by the sheer brilliance. You would think then that having loved the book so much I would have leaped straight into the second – that would have been logical I hear you cry. Instead I decided to flail and stress that the brilliance of the first book wouldn’t be caught quite so spectacularly in the second thus destroying my hopes and dreams and leaving me a sobbing mess for the brilliance that might have been. So I waited, and I procrastinated, and I read other books.

And then the two wonderful people who got me onto this series in the first place read the second book and both of them were effusive in their praise of how good it was, so I finally told the panicked voices in my head to shut up, and FINALLY I read it.

And you know what? IT WAS SO GOOD.

Never did I think I would be so smitten with a teenage take on the Holmes and Watson set up, but Ellie not only writes believable and fascinatingly complex characters, she puts them into fantastic, well-paced plots and then she hurts my babies. But it is so good and so well done that I don’t care about the terror and the weeping and the general pain and angst that occurred for me whilst reading it. Basically Ellie can rip my heart out with brilliant writing and I will simply beg her for more.

Everything that I loved about the first book was back in abundance – fast paced and engrossing plot, steamy sexual tension between the two leads, and clever workings of details from the various other incarnations of Holmes we’ve seen. Ellie is astoundingly talented at weaving in little details (some more obvious than others) and leaving the reader to notice them. It’s cleverly done and a huge source of satisfaction whilst reading to pick up on them.

This book felt much darker than the first, Ellie isn’t afraid to really hurt Mycroft and Rache, and some of the darkest scenes were horrifyingly realistic and believable. I stormed through the book, feverishly ripping through the pages because I simply had to know what happened next. I couldn’t put it down.

The writing is fantastic, and it was wonderful to have a change of setting and have the majority of this book set in London. Ellie really captures the feel of the city, and so many little pieces of England and British culture that help you to feel like you’re really there. It was also great to see Mycroft in his home element, to see him slide from boy next door into an English boy – as Rachel notes, suddenly you don’t just know that he’s English you see it. See how he fits in in these surroundings much more smoothly than he does in Australia, and it’s subtle and incredibly well done. We uncover a lot more of Mycroft’s backstory, and I loved having each new piece of information trickle out, seeing it through the filter of Rachel’s eyes and thoughts as she tries to deal not only with the murder case, but Mycroft’s rapid tailspin as events unfold. Rache is such a fantastic protagonist and she really holds her own against Mycroft, no easy feat when he is such a vibrant and fascinating character who is ever present, infusing every page, even when he’s halfway across the world.

I also love, as I did with the first book, that you never forget that these are two teenagers. There are no moments where you want to tear at your hair in frustration because adults are incompetent and Mycroft and Rache are doing things that no teen would realistically do. Yes they are put into extreme circumstances and as a result they’re forced to adapt and do things they otherwise wouldn’t, but it never felt ridiculous or overblown – something that a lot of YA novels never quite manage to achieve.

All in all this is a fantastic second instalment in the trilogy. It more than lives up to the high expectations set by the first book and has left me desperate to get straight into the third book. I love this series, I love Ellie’s writing, but most of all I adore Mycroft and Rache. If you’ve read the first book and are hesitant about getting into the second, don’t be. And if you haven’t yet discovered this series, do so now. Sherlock as the boy next door? Be still my beating heart.

Review: Lock & Mori by Heather W. Petty

Publication Date: September 15^th 2015
Publisher: Simon & Schuster
Length: 256 pages

In modern-day London, two brilliant high school students, one Sherlock Holmes and a Miss James "Mori" Moriarty, meet. A murder will bring them together. The truth very well might drive them apart.
Before they were mortal enemies, they were much more.
FACT: Someone has been murdered in London's Regent's Park. The police have no leads.
FACT: Miss James "Mori"Moriarty and Sherlock "Lock" Holmes should be hitting the books on a school night. Instead, they are out crashing a crime scene.
FACT: Lock has challenged Mori to solve the case before he does. Challenge accepted.
FACT: Despite agreeing to Lock's one rule--they must share every clue with each other--Mori is keeping secrets.
OBSERVATION: Sometimes you can't trust the people closest to you with matters of the heart. And after this case, Mori may never trust Lock again.

This book nearly sent me into a rage spiral that would have sent my kindle flying across the room, except a) there were one or two redeeming features (although sadly not as many as I would have liked) and b) my kindle is new.

I’ve always been a little wary of Sherlock Holmes retellings – I love the books, I love the movies I love the shows, but as soon as you start sticking my beloved characters into strange and slightly side eye worthy situations I get nervous. Then earlier this year I read ‘Every Breath’ by Ellie Marney and it was so GLORIOUSLY GOOD that I thought maybe I had been too hasty to judge. After all here was a modern day re-telling that involved teenage James Mycroft and Rachel Watts and it was so good I shrieked loudly and often at everyone over the days following reading it. So after that brilliance I found I had renewed interest in the forthcoming ‘Lock and Mori’ which featured a teenage Sherlock and Moriarty with a modern setting and a gender twisted Moriarty – colour me intrigued.

Sadly though, it really didn’t live up to those expectations. As with several books I’ve read recently the only thing that stopped this being a one star read was that the writing was not bad, in fact in places it was quite good – it’s just a shame about everything else.

Sherlock does not actually feel like the Sherlock we have come to know through the original stories, in fact the only things he shares are a name, a brother called Mycroft and a slight tendency towards the genius. Which we see in precisely one scene at the start of the book and then it’s dropped in favour of INSTALOVE.

I could possibly forgive the Sherlock character destruction (I’m lying, I totally couldn’t) if Mori had been an interesting and compelling character. Sadly I was disappointed yet again. She’s not a particularly nice person, very selfish to the detriment of others, and for me she really didn’t work at all. Sure she’s intelligent, but she’s aloof, cold, not particularly likeable even to the reader and her reasoning behind a lot of the decisions she makes in the book seemed bizarre at best. Sherlock’s fascination with her I could understand – after all she’s definitely intelligent, but instalove? Really? The big reason at the end for why Mori will never trust Sherlock again left me feeling decidedly non-plussed. 

Any sort of logic or reasoning she may have been in possession of disappears at around the half way mark where solving murders is tossed away in favour of make out sessions, and justice and safety for not just herself but her three younger brothers is tossed aside for decidedly tenuous reasons. Add in the fact that she's an English girl referring to her Mum as 'Mom' and I was about ready to give up.

Then there’s the pacing. We discover who the murderer is at the half way point and I reached that reveal, checked to see how much more of the book was left and genuinely didn’t know how the second half could possibly be filled. Short answer? Badly. It plays on all the tired clichés – look how stupid the adults are, we teenagers will solve everything and save the day! being the most frustrating to witness. Chuck in the instalove and I was ready to weep at the assassination of these characters. I’m all for playing with well-loved characters, twisting the scenarios to see how they work with different players and variables, but sadly in this case it really didn’t work.

If you’re after a good modern day Sherlock story then I cannot recommend ‘The Every trilogy’ by Ellie Marney enough. If you’re a fan of Sherlock, of the original stories, of interesting believable characters and well built up romance then sadly ‘Lock and Mori’ won’t be the book for you. It’s a great concept that could have been brilliant, but sadly is left to founder in bad pacing, terrible characters and an unbelievable plot.

Review: Investigating Sherlock by Nikki Stafford

Publication Date: September 1^st 2015
Publisher: ECW Press
Length: 240 pages

Thanks to Netgalley and ECW Press for sending me a copy of the book in exchange for an honest review

He’s been depicted as a serious thinker, a master of deduction, a hopeless addict, a bare-knuckle fighter. His companion is a bumbler, a sympathetic equal, someone helpless in the face of his friend’s social inadequacies. Sherlock Holmes and John Watson remain the most-adapted fictional characters of all time. In 2010, when Benedict Cumberbatch and Martin Freeman stepped into the roles, they managed to meld many previous incarnations into two glorious performances. Over Sherlock’s first three seasons, the Emmy-winning series has brought new life to stories almost 130 years old and, with its Holmes and Watson for the 21st century, created a worldwide fandom unlike any other.
Investigating Sherlock, written by bestselling author Nikki Stafford, examines each episode through in-depth and fun analysis, exploring the character development and cataloguing every subtle reference to the original stories. With biographies of Cumberbatch and Freeman, as well as Arthur Conan Doyle, Investigating Sherlock is the ultimate guide to the great detective.

I am a huge fan of the BBC Sherlock series, so I was incredibly excited to dig into this unofficial companion guide, and whilst it was an interesting enough read, it failed to really grab me and inspire me in the way I was hoping.

For massive fans of both the TV show and the original stories, this companion won’t provide anything new. The extra information is taken from DVD commentaries and well publicised interviews, as well as information, stories and characters all available through Doyle’s original stories. So if you’ve combed all of the original source material and are an active fan then this book will provide nothing new. It’s an interesting enough read (although some of the delivery of the additional information does come across as a little condescending and pompous) and for those who haven’t seen the episodes or read the stories in a while, this will be a good book to dig into.

However I did have a few problems with it. The writing is a little bit scattered, as if the author is following a train of thought and skips all over the place back and forth between different topics, particularly at the start. As a result it doesn’t feel like a cohesive piece, and the topics aren’t as accessible to the reader as they could have been made.

It was also alarming to discover that some of the ‘facts’ weren’t actually correct and a simple re-watch of the episode could have resolved them. But my biggest frustration was the way fandom was handled. Most shows and movies have a fandom these days, but Sherlock has one of the biggest and most vocal. It felt strange then to be reading a book claiming to be investigating the tv series and all that surrounds it, that all but ignored fandom (apart from one or two very brief nods to theories that the author has enjoyed and some disparaging comments about shippers) when fandom has played such a huge role in the success of the show. The creators themselves have commented on the impact that fandom has had and the show’s worldwide popularity as a result, so to all but ignore it seemed a little odd – a dirty secret that should really be swept under the rug.

The book reads like an essay of one individual’s thoughts on the series and how they feel the episodes portray characters and readings of scenes, and as a result they discard and ignore any ideas or theories that don’t fit in with their mind-set. No-where is this more apparent than in the examination of the final episode of season three, and anyone who disagrees with the authors thoughts may find this more than a little frustrating.

The book has several interviews with long time Doyle fans, backstory on Steven Moffat, Mark Gatiss, Benedict Cumberbatch, Martin Freeman and Arthur Conan Doyle. It also looks at each episode in detail, giving opinions, comparisons to the original stories, errors and additional facts, plus a couple of additional essays including one on Sherlock’s self-proclaimed status as a sociopath. It’s an interesting read, but as I said, doesn’t really add anything new. So if you’re looking for more theories, more discussion and a more intense break-down of scenes, characters and episodes, you’re more likely to find it for free on tumblr than in this. 

Review: Every Breath by Ellie Marney

Publication Date: October 14^th 2014
Publisher: Tundra Books
Length: 352 pages

When James Mycroft drags Rachel Watts off on a night mission to the Melbourne Zoo, the last thing she expects to find is the mutilated body of Homeless Dave, one of Mycroft's numerous eccentric friends. But Mycroft's passion for forensics leads him to realize that something about the scene isn't right--and he wants Watts to help him investigate the murder. 
While Watts battles her attraction to bad-boy Mycroft, he's busy getting himself expelled and clashing with the police, becoming murder suspect number one. When Watts and Mycroft unknowingly reveal too much to the cold-blooded killer, they find themselves in the lion's den--literally. A trip to the zoo will never have quite the same meaning to Rachel Watts again...

This book fell onto my radar thanks to Angie’s (Angieville) and Cait’s (Paper Fury) reviews and both of them were so complimentary and effusive in their praise that I simply had to get hold of a copy for myself, so this one is totally on you two. And thankfully this book more than lived up to all those high expectations I went in it with.

I am a big fan of the BBC Sherlock – I love the way the stories translate to a modern day setting, so the idea of another modern day exploration of Sherlock was an excellent starting point. Add in that ‘Watson’ is a girl called Rachel Watts, ‘Holmes’ is a teenage genius who lives two doors down called James Mycroft, the fact that their chemistry and friendship is off the charts and it’s both brilliant and set in Australia and quite frankly: be still my beating heart.

(Tiny side note of glee for fans of the original books, I giggled like a little crazed thing whenever anyone called Watts Rache, because Study in Scarlet. Detail.)

This book is genius, basically. Watts and Mycroft are one of my favourite pairings in fiction ever. Which is a truly incredible feat. Their friendship is such a strong foundation and they work so brilliantly together that I would have been happy were they only ever friends. However the chemistry between them is truly electric, and I absolutely adored the slow build of tension between them throughout the story. They just work so well together. Watts is neither stupid nor bumbling. She may not put the pieces together at the same speed as Mycroft (really, who could?) but she’s methodical and sharp and attentive and is an equal half of the partnership rather than a documenter of Mycroft’s genius.

Whilst there is plenty of attention paid to Mycroft and his delectable brilliance (yes I have a fiction crush, how did you guess?) the real heart and soul of the story is Watts. She is such an incredible protagonist. Told from her point of view the story is very firmly grounded with her at the centre, and she holds firm against the overwhelming tidal wave that is Mycroft. Some characters would get lost against his brightness, but she is grounded and sure of herself and she provides the heart, soul and humour that turns this from a good book into a brilliant book.

I also loved that this isn’t a Sherlock and John story, they are never playing at being them, there are plenty of references to the Conan Doyle stories. It’s played as simply an amusing coincidence rather than anything else and it works brilliantly. It allows the story and characters the space to breathe and become their own, whilst still giving a sly wink and nod at Conan Doyle’s characters – the perfect blend.

The murder mystery is also brilliantly handled, so that whilst they are two teenagers sleuthing around trying to fit the pieces together and catch the murderer, it never felt ridiculous or unrealistic. The motives and thought process behind it all made sense. I never once questioned it or felt that it was ridiculous what they were trying to do. And I loved the varied reactions of the adults around them when confronted with their super sleuthing, plus their general awesome pairing.

Admittedly I did know who the murderer was as soon as they were introduced – I think I may have read one too many murder mysteries that I can now spot them a mile away. But for once I wasn’t frustrated by the knowledge, the story was so good that I just got swept up in it, and the thrill of the chase and desperate climax were superb.

It’s a brilliant debut – wonderfully paced, with two incredibly real and vivid characters who tugged me into their world and brought me racing breathlessly after the murderer with them. I fell for Watts and Mycroft completely and I cannot wait to see where they go next in the sequel “Every Word”.