Huge thanks to Netgalley
and St Martin’s Press for sending me a copy in exchange for an honest review
A sweeping and captivating debut novel about a young librarian who is
sent a mysterious old book, inscribed with his grandmother's name. What is the
book's connection to his family?
Simon Watson, a young librarian, lives alone on the Long Island Sound in his family home, a house perched on the edge of a cliff that is slowly crumbling into the sea. His parents are long dead, his mother having drowned in the water his house overlooks.
One day, Simon receives a mysterious book from an antiquarian bookseller; it has been sent to him because it is inscribed with the name Verona Bonn, Simon's grandmother. Simon must unlock the mysteries of the book, and decode his family history, before fate deals its next deadly hand. The Book of Speculation is Erika Swyler's gorgeous and moving debut, a wondrous novel about the power of books, family, and magic.
Simon Watson, a young librarian, lives alone on the Long Island Sound in his family home, a house perched on the edge of a cliff that is slowly crumbling into the sea. His parents are long dead, his mother having drowned in the water his house overlooks.
One day, Simon receives a mysterious book from an antiquarian bookseller; it has been sent to him because it is inscribed with the name Verona Bonn, Simon's grandmother. Simon must unlock the mysteries of the book, and decode his family history, before fate deals its next deadly hand. The Book of Speculation is Erika Swyler's gorgeous and moving debut, a wondrous novel about the power of books, family, and magic.
This was an intriguing book, one that I have had my eye on
for some time and was looking forward to exploring. It was a spellbinding read,
one that sucked me under and kept me guessing and wondering, filled me with
anger and hurt and desperation, and was suffused with a quiet magic. It’s a
story told through two timelines, Simon, desperately trying to piece together
his family history and protect his sister. And Amos, from the 1700s, deftly
weaving the stories origin point so that as Simon uncovers more clues about
this strange book he has been sent and his families tragic past, we see it
unfold through Amos as well.
It had elements of both ‘The Snow Child’ and ‘The Night
Circus’ – two books I loved. The same lilting magic and quiet depths. The story
takes its time, ambling between the two storylines at a sometimes frustrating
pace. But rather than wanting to skip one timeline to get to the other as so
often happens with these split books, I found myself enjoying both tales
equally. There were points where one took precedence to the detriment of the
other, forcing the narrative stream down to a dribble, but on the whole it
moved along at a solid pace to reach a quite tense and dramatic climax.
The writing is quiet, beautiful at times and filled with
memorable passages. There are several quotes that I know I will take with me.
Swyler most definitely has a way with words, of twisting language into this wondrous
thing, even when her characters could not speak at all, the ways of
communication were filled with surprising depths and double meanings.
“We
would bury ourselves in books until flesh and paper became one and ink and blood
at last ran together.”
The odd thing was that whilst the book was good, and I am
glad I read it, I didn’t enjoy it exactly. It was too melancholy, and had too
many threads of lies, sadness and betrayal for me to fully immerse myself in
the story in an enjoyable fashion. It pulled me in, made me want to unravel the
mystery and see it through to its breath-taking climax, but once I finished, I
was glad to close the book. It is a fascinating story, one I wasn’t sure how it
would end. It had so many tangled threads and possibilities that snarl together
as Simon attempts to piece the history together, only to emerge as a solid
braid in the last few pages.
It’s beautiful and wretched and filled with
sorrow, not necessarily a good summer book, but definitely one to pick up if
you enjoyed ‘The Snow Child’ or ‘The Night Circus’.
“We
carry our families like anchors, rooting us in storms, making sure we never
drift from where and who we are. We carry our families within us the way we
carry our breath underwater, keeping us afloat, keeping us alive. I’ve been
lifting anchors since I was eighteen. I’ve been holding my breath since before
I was born.”
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