Inside
an ancient temple in the mountains, fifteen-year-old Zira trains in the martial
arts to become a warrior priestess who can defend the faith of the Ruan people.
Bearing a scar on her face from the fire that killed her parents, the orphaned
Zira is taught to distrust the occupying Sedornes. Terror strikes when the
forces of the tyrannical Sedorne king destroy the only home she knows. To
survive, Zira must unravel the secrets of her identity, decide her people’s
fate — and accept her growing feelings for a man who should be her enemy.
I absolutely loved Zoe Marriott’s latest book ‘Shadows on the
Moon’ so I was desperate to get my hands on everything else she’s written to
fill in the time between now and ‘Frostfire’ coming out later this year.
However ‘Daughter of the Flames’ didn’t quite hit the mark
with me in the same way as Marriott’s other two books.
It was a fantastic premise, with a brilliant heroine at its heart, I just felt
as though some parts were a little underdeveloped. I would have quite happily
read twice its length just to see more of the development between Zira and
Sorin. I loved their hesitancy and awkwardness and the fact that this
relationship developed out of a need to save their people, not out of anything
else, but we skipped over so much between them that I felt like I never fully
bought their relationship.
I wanted to see more of that development, because after a point what romance
and tension there was between them fizzles out, and becomes almost unimportant
to the story, yet it’s still supposed to be a key element.
Another aspect of the romance that I didn’t buy was that once again we are given a paragraph in which the heroine suddenly realises she’s in love with the hero, and I want, for once, to be able to see that relationship build instead of being told about it.
Another aspect of the romance that I didn’t buy was that once again we are given a paragraph in which the heroine suddenly realises she’s in love with the hero, and I want, for once, to be able to see that relationship build instead of being told about it.
As I said, Zira was a fantastic heroine, strong, independent,
and driven by a need to protect her people. But again, we had the internal
conflict of who was she really, and I wanted more of that, more development, more
resolution.
Sorin again, I felt was a little under developed, but what I saw I absolutely loved. He wasn’t your stereotypical male hero, but I didn’t feel like we really got to see that, or see his developing feelings for Zira.
Sorin again, I felt was a little under developed, but what I saw I absolutely loved. He wasn’t your stereotypical male hero, but I didn’t feel like we really got to see that, or see his developing feelings for Zira.
I loved the world building, Marriott really is a master of
fantasy, and really creates a world you can practically smell and taste. I
thought the religious elements were well developed and that overall the plot
was exceptionally well done.
I love villains who have something more about them – some backstory or twist
that makes it all that much more exciting and intriguing, and we definitely had
that here.
In fact everything came together to make a really, really
good book, as I said at the start it just felt like some aspects were rushed or
under developed. I loved Marriott’s other books ‘The Swan Kingdom’ and ‘Shadows
on the Moon’, and I think that her writing has developed hugely in the time
between ‘Daughter of the Flames’ and ‘Shadows on the Moon’ and I cannot wait to
see how ‘Frostfire’ turns out.
So all in all, a very good book, but not Marriott’s strongest, but still a very
good fantasy read.
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